【Number_i – ATAMI 歌声分析】彼らの個性が大爆発の最高の歌声を徹底分析！

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Number_i – ATAMI (Official Live Performance M/V)

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#Number_2 #Number_i #ATAMI #歌声分析

This is voice trainer Tsuru3. How are you all doing? This video is Number_i – ATAMI (Official Live Performance M/V), and I’d like to analyze their vocals by watching it. Tsuru’s vocal room. Actually, this time, it’s Number_i’s UA Zone. I opened YouTube to film this vocal analysis video, and just then, the Atami video, which I analyzed this time, was released. I actually opened Number_i’s official YouTube channel, and it was about 45 seconds before the video was released , so I just went ahead and filmed the Atami video first. My Japanese might be a little off, but this Atami video is apparently a performance video from Number_i’s recent live stream on YouTube . I missed it because of bad timing, so I was super excited when Atami was released . And this time, I analyzed Number_i’s vocals, and I thought this song was the one that focused the most on each member’s individuality to date . I don’t think there’s ever been a song with so few moments where all three of us sing at the same time , with so many individual parts. Personally, I think Atami is the song that best captures Number Eye’s charm. And once again, they showcased their incredible vocals. I’ve analyzed these aspects more thoroughly and in -depth than anywhere else, so please stay tuned until the end of the video . Tsuru’s Vocal Room. This channel primarily features reaction videos and vocal analysis videos that convey the appeal of artists I’m currently interested in from a vocal trainer’s perspective . If you’re interested in what I’ve said today, please subscribe and like. YouTube recently implemented a new feature called Hype. You can use the Hype feature up to three times per week, and each video will earn you Hype points. So, there’s actually something called a hype ranking, where videos are ranked in order of the highest hype points , and if my Number Eye Atami video makes it onto that list, I think I’ll be able to share the charm of Number Eye’s singing voice with people I haven’t been able to hear before, so I’d love for you all to help hype me up. And if you’re kind enough to hype this video three times, it might even make it into the rankings, so please do so. So, let’s get started with the analysis of Number Eye Atami’s singing voice . Yeah. Hmm. It’s cool. Here we go. The intro, I think it was just drums and trumpets, and from there I can imagine what kind of music genre it is—funk , maybe jazz—and I’ll ask how Kiss sings over it . I couldn’t say it. I could n’t say the words. Yeah. Ki’s singing voice this time wasn’t overly unique, was it? His voice is warm and gentle on the ears, almost like a conversational voice, with a sleepy tone. How does he produce this voice? He uses the sound of his voice resonating in the space inside his mouth. In singing terms, this is called aerial resonance, which helps to define each word and also allows you to control the volume depending on the size of your mouth . He uses this resonance of his voice. Since it’s rap, I think his singing is focused on making each word clearly audible. Plus, although it’s subtle, he also mixes in a root tone using the resonance of the space inside his nose. This is what we call Misora ​​Akira. Let’s listen to it again. I couldn’t get through. I couldn’t say simple words. Yeah. I said earlier that the aerial mirror effect of his mouth was the main focus, but his mouth and nose were equally involved in creating his chorus. I think the gentle atmosphere of Keshi’s voice is created by his nose. Let’s move on. Yeah. The overall sound is smooth, but you can hear every single word of the lyrics incredibly clearly. That’s what’s so great about it. With phrases this fast, it’s not surprising that the lyrics would get blurry, but Ki-san is amazing. The words are incredibly easy to hear. Let’s listen to it again. Yeah. It’s good. The word “scene” is pronounced strongly throughout. “Shi” is the first letter in the romanized alphabet, like “s” for “work” and “t” for “business .” What kind of sound is it? “S” becomes “su,” and “T” becomes “kai” for “masu.” By enunciating this clearly , the words come out incredibly clearly and crisply. Ki-san’s technique in this area is amazing, isn’t it? Let’s move on to the next one. “Oh, Jinguji-san, your hairstyle is cute this time. I think your hair color is a little lighter. And it looks like it’s permed all over, a very stylish and cute look. And your voice is as sweet as ever. How does he create this sweetness? It’s through a vocal voice that primarily uses the hollow nasal resonance. The more nasal resonance you add, the more sensual and alluring your voice becomes. Jinguji-san is incredibly skilled at using this. Let’s listen to it again. “Season wa Seikatsu ni” (Only in the Seasons of Life). Yeah. That’s good. And he uses the stacker technique, cutting the notes throughout. Cutting the notes creates a sense of dynamism throughout the phrase. And just like Knight-san, he pronounces the C attack strongly. It was crazy , but the world is amazing, isn’t it? Hirano-san’s low voice is amazing. So, how does Hirano produce this cool low voice? It’s through a vocal voice that primarily uses the space in his lungs, the resonance, and the “ne” color. By using the resonance of the space in his lungs , he can control the voice’s thickness and richness, and he ‘s able to skillfully control these aspects. Hirano-san is incredibly skilled at using this technique. Let’s listen to it again. Negadoke Kimi to Miteru Sekai mo Nanakusoba Aokusoba , hmm, what a cool voice. Hirano-san also emphasizes staccato and sheen throughout. When it comes to rap, you can create a cool atmosphere by enunciating these sheen sounds and cutting the notes, so I think the three members of Number Eye are really conscious of this when singing. Moving on. Now, it’s Jinguji-san’s part. Even when it comes to the melody, he sings with a staccato sound to maintain the rhythm of the rap. Let’s listen to it again. It has a nuance like this, doesn’t it? He sings with a really cut-off sound. So, how do you cut the notes well when singing? You put “little” between words. Like “I did it” or “I definitely did it.” It’s this little girl. By adding “little” she makes the “I definitely did it” and “I definitely” sound more upbeat. Something like that. When you sing, the overall sense of dynamism becomes more and more apparent, so please try it out next time you go to karaoke. Moving on to the next song. It’s good. Hirano just rapped, and he used a technique to change the atmosphere by using high notes and low notes, taking advantage of the difference in the process. Let’s go crazy with it . See, see. Going from a low note to a high note, then going back to a low note, maintaining the low note for a while, and then raising it all the way to the end. No, this expression is really cool . It feels like it’s getting more and more exciting. Wow, it’s amazing. Jinguji’s voice, but here he’s not using the sweet atmosphere he had earlier . In terms of how the sleepy tone of his voice has changed, he’s not using the nasal, hollow sound that he used mainly earlier. So what about Speaking of using that “ne” color, I think you can hear the aviation resonance words inside his mouth incredibly clearly. Let’s listen to it again. It’s scary. Yeah. That’s good. By choosing a “ne” color that mainly uses the sound of aviation, the vocals have a really straightforward feel. Jinguji-san’s control of the two vocal voices up to this point is amazing. Moving on. Oh, Hirano-san sings for a moment, and then Ki-san takes over. This is the voice Hirano-san just used, and to me , it’s his most captivating voice. How does he achieve this? He sings the low range by mixing the two root tones of Kyomei’s chest and Misora ​​Tomoaki’s nasal voice. This vocal is low, solemn, masculine, and cool, but the nasal tone makes it sound incredibly clear. A characteristic of low-pitched voices is that the words generally tend to sound muffled . That’s why many songs use mid- to high-pitched melodies, because the words are easier to hear in mid- and high-pitched voices. However, Hirano has chosen to pursue a cool, low-pitched voice that’s easy to hear. It’s incredibly cool, isn’t it? And then there’s Kiss’s singing , which revolves around nasal resonance. It’s a dark tone, like he ‘s using almost nothing but his nose, but when he uses his voice this way, it’s incredibly unique. Let’s listen to it again. Yeah. Hirano’s voice is incredibly low, but his words are incredibly easy to hear. Honestly, the way he produces his voice is just amazing. And then there’s Kiss’s voice. To me, the voice we just heard is a standard dark tone. It’s a voice that I really love. Moving on. Yeah . Hirano’s part here is also incredibly low. Like an “La.” When I sing it, it’s about this low, but it’s incredibly low. If I sing it normally, it sounds like an “La,” but it has a really muffled vibe. Adding a nasal ‘Ne’ tone to it makes the “La-la-la” sound clearer, doesn’t it? He uses this technique. Let’s listen to it again. It’s like “denjatte.” He’s using his nose now, but if he doesn’t, he ‘ll just fly away naked and sound like this. It’s incredibly muffled, isn’t it? It’s fascinating how just a slight shift in consciousness can create a completely different love. And the way Hirano sings this voice is actually incredibly difficult. It’s amazing how he uses it so freely . Moving on. Wow, that’s cool. I think high-pitched vocals are really popular in the music industry right now, but this style of deliberately going for the opposite low register is incredibly manly and cool. They go their own way. Let’s listen to it again. Yeah. See, it’s cool. The idea of ​​attacking the lower register is brilliant to begin with. An ordinary person wouldn’t come up with this idea, it’s truly original and amazing. Let’s move on. Here we go. The three of them sing from here . I see. And the background sound. This is jazz in terms of the musical genre. The unique voices of the three singers blend together in a very mature and stylish atmosphere. They bring out the best in every song. It’s amazing every time. Let’s move on. Cool. The part where Ki’s rap fits in so well with this “ja” part is really cool. In musical terms, we call this part a defining moment. It’s like a key moment for the entire band. Let’s listen to it again. Cool. I really love defining moments in songs, so it really gets me excited. And Ki’s sense of rhythm is amazing, isn’t it? The first sound of the scene and the first sound of the band’s decisive attack line up perfectly. That’s why it’s so cool. In music, it ‘s called groove, and it really feels like a groove. Let’s move on. Yeah. Cool. The rap pitch doesn’t change, but the atmosphere of the background sound changes, so the vocals sound completely different. In music, this is called dai-ri-do. I’m so sorry. It’s a complicated topic, but even if the melody sounds the same, there’s something called ban-so, which can change the atmosphere of the background sound. For example, even if the melody is the same, there’s a 1-turn and a 4-turn. Changing this doesn’t sound strange to the listener , so let’s listen to it once. Look, look, the sound of the background kinzu-do has changed. So the atmosphere feels like it’s changed completely, but the sounds used in Ki’s rap haven’t changed at all. This is the change in atmosphere of the song using dai, as I mentioned earlier. Let’s move on to the next one. Yes. Is this also that? I wonder if the change in the substitute I mentioned earlier will also come about in Jinguji’s singing. And he’s chosen a voice with a very strong attack. Let’s go all out, Jinguji. The N is yes. I wonder if he has a really strong pronunciation of the T. Jinguji… He pronounces it like this. It’s Japanese, but I think that’s the point where he sings with the strength of the scene, like English. Let’s move on to the next one. Without the singing, there’s no Rai. Hmm. Good. As expected, the directness of Jinguji’s rap comes through. This room is irresistible. Let’s listen to it again. There’s almost no Gameta Honno. Yeah. Hmm, cool. He doesn’t get it. I really like this difficult part. Let’s move on to the next one. Yes. Hirano is using this voice diversely this time. That low voice is amazing. I don’t have the control to use such a low note live like Hirano. That’s why I think Hirano’s bass just now is amazing, and what’s more, the fact that his voice doesn’t waver even while he’s performing is amazing. It’s proof that he has an incredible amount of fundamental skill. Let’s listen to it again. Hmm. Cool. I’d like to have a voice that cool too. I think I’ll try practicing. Let’s move on to the next one. Hmm, amazing. And, although it’s subtle, there’s a bit of a tingling nuance to it. It’s not like an “La,” it’s just not quite “Ra.” For me, it has a cool tingling feeling to it. Hirano’s bass. I think he’s probably mixing this faint sound of the mosquito’s body here with this “Ah” sound to produce the bass. Let’s listen to it again. Look, look, look. If you listen closely, you can hear a kind of tingling sensation. A typical technique for this rumble-like voice is the shout voice , and it’s this “a” (ahem) rumble that I mentioned earlier about the “pseudo-organism” here. It’s a technique for singing while making that “aah” (ahem) rumble sound. I think it’s a really difficult technique, but I think Hirano uses it in his low notes. It’s a really cool voice, isn’t it? Moving on. “Help me, even if I have to .” Yeah. That’s nice. The fact that all three of us sing together is amazing, and personally, I think it’s really emotional. This is the only part of Atami where we sing together so far. Compared to our usual numbers, I don’t think we sing together as a trio. It’s a song that really showcases each of our individual personalities. That’s why I’m so happy to see the three of us singing together. Moving on. Yes. “Ah from that day.” That’s a completely different singing voice from this rap. Hirano is amazing, isn’t he? When he sings the melody, he uses a voice for the melody, and when he raps, he uses a rap voice; it’s a two-sided star-like voice. I think it’s really cool . As for what kind of voice he uses, it’s the resonance and the tail-air resonance, and while it’s true that he uses both at the same time, the weight of the nasal tone of his voice changes drastically . When he raps, it’s centered on his chest, but when he sings the melody, it ‘s centered on his nose. It’s like he mixes a little bit of a nasal tone into his singing voice overall . Let’s listen to it again. That day . If I were to use a voice like Hirano-san, like at the public meeting that day, it would sound like this, but I added quite a bit of that when I sang it just now. If you just listen to that “ah” part, you can easily hear the nasal undertone mixed in, but I think Hirano is singing like this. Moving on. Good. Yeah. Yeah. This part is cool too, isn’t it? The fake-like feel is really nice. I love fakes. By fake, I mean a technique often used in R&B and jazz, where you ad-lib phrases like “yeah” or “uh” and fake it . It’s the best. Moving on. Yeah. I feel like Kishi’s singing voice is really coming into its own. The later the song, the more it seems to emphasize the nasal undertone. It’s becoming more and more unique, I think. Let’s listen to it again. Yeah. Like, “See, see, see, see, see.” I’m sorry. I’m not very good, but it’s really cool. Kiss’s singing is truly amazing, as he has such control over his voice. Moving on. Yes. So far, I think the nasal nuances have been particularly apparent. Let’s listen to it again. It was a ne – like , ” horahorahora dattaatt … Oh, I do it because it’s fun. Hmm . I see. It feels like the power of the voice gets stronger as the singer becomes a junior. So, the point where he adds power to his voice here, what kind of voice is he using, is by using the resonance of his chest. When I first explained Kyomei, I think I explained it as controlling the thickness and fullness of his voice, but the thickness of his voice is the power of his voice. By controlling the resonance of his chest , you can add power to your singing voice. Let’s listen to it again. Wow, it’s cool. He’s really pursuing the coolness of each and every note. Amazing. Let’s move on to the next part. Oh, this part. Yeah. That’s good. You know, Jinguji-san gradually builds up the excitement, and just when you think it’s going to get even more exciting, he deliberately tones it down, creating a relaxed atmosphere. The way this song progresses is also very interesting. This time, “Atami” has a cool feel, but also a very mature and stylish vibe , which I think expresses a different atmosphere from NumberA’s previous songs . Moving on to the next song. Yeah. And, as expected, this band is great. I think this is the first MV in this band style since the super band version of “Inazuma.” That was about a year ago, wasn’t it? The band version of “Inazuma” was released on YouTube. I wonder if that’s what it means? Like looking back at the band after a year. This is just my own imagination, but maybe that was the intention. Moving on to the next song. Oh, that’s right, that’s right. The bouncing feeling here is amazing. Honestly, there really aren’t many points in this Atami song where all three of us sing at the same time. I think this is probably one of the few points where we sing together at the highest level out of all the songs NumberA has released so far . Moving on to the next song. Yes. Oh, is it the ending already? Yeah. Oh, I was surprised, I said it. I thought it was the outro, but there’s more. Let’s listen. I see. Here we go. Oh, that’s cool. It goes ‘dan-dan-dan’. Wow. It ends with a decisive blow at the very end. So cool. And I just noticed, the outfits worn by the three members of Number Eye are super cute . They’re very casual, with a mature jazz vibe and a hint of childishness, that’s the kind of outfit I think they have. Well, it was so cool , let’s listen to it again. Oh, I thought it would end with ‘tan’, but there were a lot of ‘tada’s. Sorry. I don’t have the vocabulary to describe it. Wow, it was so cool right until the very end. We have six seconds left, so let’s take a look. Wow, it’s amazing. Oh, so it ends with the car. Wow, it was amazing. And that concludes my analysis of Number Eye ‘s vocals. No, it was just too amazing. I think Atami has a completely different atmosphere from Number Eye’s previous songs , a whole different flavor. It’s like a fusion of hip-hop and jazz. There are some cool, mature moments, but also some softer, gentler moments . I also feel like it’s a song that focuses on each member’s individuality. Kiss’s voice expresses more and more of his personality as the song progresses from the first half to the second half, while Hirano’s voice expresses a rugged rap and a sweet, gentle, and cool voice when singing the melody . And Jinguji ‘s voice expresses a straightforward, cool rap and a sweet, gentle voice when singing the melody. I also feel like it’s a song that really captures each member’s individuality. It’s a song that lets you enjoy Number Eye’s charm in every way . That’s what Atami is all about. This video was truly amazing, too. I’ll continue to follow Number Eye with all my heart. That’s the end of this video. If you enjoyed the video, please subscribe and rate it highly. Well, that was voice trainer Tsuru.